Insights

On Air: Christine de Witte & Curtis Schmitt

“On Air” is an internally produced series of staff interviews that showcase the talent and personalities of the people who keep Clickspring ticking. Our third installment features a conversation between design director Christine de Witte and senior design director Curtis Schmitt.

The following banter took place via chat log within our New York office.

Curtis Schmitt: We recently discovered we have some things in common.

Christine de Witte: That’s true: love of (1) cats, (2) bikes, (3) rectilinear geometry, (4) organization; and (5) lack of a middle name.

CS: That about sums it up. Was it common where you were born for babies to not be given middle names?

CdW: Yeah, I think in the Netherlands, or anywhere in Europe, in the 1980s it was much more common not to be given a middle name than it would’ve been in the States, for example.

CS: What do you do for government and web forms that request a middle name or initial?

CdW: I just leave it blank. But a friend in college made up a middle name for me. I think it was Gertrude or something hilarious like that. What do you do with middle initial boxes?

Curtisray N’s New Jersey Drivers License

CS: My situation is a little more complicated because I have two first names joined by a hyphen: Curtis-Ray. I generally try to get away with “Curtis R” but the last time I was at the DMV a very sassy woman wrote out my first name as “CURTISRAY” and then assigned me the middle initial “N”.

CdW: Those DMV employees just make up rules. You don’t need an “N”! My license (luckily) doesn’t have one.

CS: Yeah, she told me if I didn’t like it I’d have to legally change my name to remove the hyphen. But if I’m going to the trouble of legally changing my name, I’m doing a whole lot more than just removing a hyphen. So, bikes: how did you get into doing longer rides and eventually into racing?

CdW: I think being Dutch necessitates that you ride a bicycle, so beyond learning the basic skillset at a young age, I was inspired by my parents’ stories of completing the Fietselfstedentocht: a 230-km ride through the eleven original cities of our home province of Friesland. (I was finally able to cross it off the list last year.) But the interest in longer rides built after grad school; the month before I moved to NYC, my best friend and I road-tripped from Austin to Marfa, TX, for the inaugural “Marfa 100” (km).

Christine racing (and winning!) in Prospect Park after work, on her birthday.

It took me a bit to understand the possibilities of cycling in NYC, but I found a group of friends and started riding a few centuries or gran fondos per year, and eventually wanted a taste of racing. Once I jumped in, the community of fast and fun people had me instantly hooked! My year-end stats rounded out to 6,200+ miles in 2018.

CS: That works out to 17+ miles per day — that is very impressive!

CdW: Thanks! It’s double what I was doing before racing, but I also know people who hit twice that number. So what’s your current bike count? And plans for the inevitable n+1?

CS: I have three custom bikes, all made here in the U.S., plus the folding bike (not made in the U.S.) you’ve seen me commute in on. Plus one motorcycle. I think my next bicycle could have an electric motor in it.

CdW: So winter’s here and it’s dark at 4pm now. What’s your approach to staying sane until April?

CS: I’m usually pretty depressed by March, honestly, and fantasizing about moving to someplace much warmer. We might adopt a greyhound next month, so that would keep us pretty distracted from the misery of the winter.

CdW: I know you guys have cats… do you test to see if the potential hound will get along with them?

CS: Yeah, so the adoption agencies will cat-test each dog. Precautions must be followed regardless of how cat-compatible the dog is. I want a really sinister looking Nine Inch Nails-style metal muzzle for the dog so that when I’m walking him people will feel intimidated (in reality they’re the farthest thing from a guard dog).

CdW: Haha, and since they’re so thin, you’ll have to get a matching sweater and boots, too.

CS: My wife is very excited about making all sorts of custom clothing and booties for the greyhound.

CdW: She can expand her shoe line!

CS: She would love that. Alright, we’ve covered most of the things we have in common that we love. One we haven’t yet is: rectilinear geometry. Christine, why do you hate curves so much?

CdW: Haha, well… that’s a difficult one to pin down. I really enjoy working within systems with well-defined rules or parameters, which rectilinear geometries just readily fall into. Many curved forms are mathematically defined as well, so my argument doesn’t necessarily exclude them. But with things like b-splines and, shall we say, “organic” forms I feel like there’s such a propensity to draw whatever you want… there’s no system guiding your decisions.

CS: Right. There’s no rigorous logic in the “free” forms. So would it be fair to say that Frank Gehry is not your favorite architect?

CdW: So fair. And it’s well-known that I’m no fan of Zaha, either.

CS: Who is your favorite architect?

CdW: I have to say that with the variety architecture blogs providing glimpses of inspirational work by architects or small firms I’m not necessarily even aware of, I don’t think I can pinpoint a real “favorite” … but I do consistently love the thoughtful nature of Tod Williams Billie Tsien projects.

CS: Not seeing any curves in their portfolio.

CdW: There might be a few, but yes, very restricted. How about you?

Curtis & Rebecca at Peter Zumthor’s Kunsthaus Bregenz in Bregenz, Austria — Summer 2018.

CS: Peter Zumthor.

CdW: Have you visited any Zumthor works in person?

CS: Yes, this past summer, Becca and I visited Kunsthaus Bergenz. It was easily one of the best moments of my life. The guy designed it in the 80s, it’s just mind-boggling. I came across photos and drawings of this building in 2003 in school when my mentor suggested I look him up. So I’d built it up over the last fifteen years in my mind as this perfect specimen of architecture that nothing else measures up to, and it still exceeded my expectations.

CdW: Wow, that’s really saying a lot.

CS: I didn’t want to leave, Becca had to drag me out of there. Bregenz is also a sweet little city too, in what is one of my favorite countries. I’d move there tomorrow. I don’t feel that way about many places.

CdW: You’d leave NYC?!

CS: I would! Are there any places you’d leave NYC for?

CdW: Well, I just reached my 8-yr NYC-versary and am not leaving anytime soon, but yeah, I’d consider it at some point. Haven’t found the spot yet, though. I really loved the beauty of northern CA when I visited, and Seattle as well, but the west coast isn’t pulling me in a more permanent way just yet.

CS: How did you find your way to Clickspring Design?

CdW: I graduated at the end of 2008, when architecture jobs were pretty hard to find, so I went home to work for my dad while continuing the search. I had stayed in contact with a professor who is friends with Steve Dvorak and heard he might be looking for some drafting help. Steve’s phone call literally came while I was driving a tractor, loading round bales onto a trailer. I drove back to Austin that weekend and have been kept busy ever since!

CS: That’s amazing!

CdW: Your story isn’t quite the traditional route, either, right? How did you end up in this line of work?

CS: It’s not, and it’s too long for this format. For anyone truly interested, I refer them to my bio.  OK, if you weren’t doing this, what do you think you’d be doing for a living?

Christine did not make these toaster waffles, but she did cast this coffee table on her tiny fire escape.

CdW: Probably running a waffle shop with my youngest sister. It’s that thing we bring up when we’re exhausted for one reason or another and say “let’s quit our jobs and open a waffle shop.”

CS: I love waffles.

CdW: Yes, waffles are so delicious and versatile. We’d have a pretty varied offering and business would surely boom.

CS: I want waffles now. OK, this Saturday I am having waffles. If you want waffles in NYC, where do you go?

CdW: Veselka makes a good waffle! And I’m not just saying that because I race for them. OK, but srsly now it’s 3pm and I forgot to get lunch. Gotta step out.

(Scene)

Clickspring Sponsors Annual Halloween Charity Bash

With help from the team at Clickspring Design, 733 Collective was able to expand its community reach and create a one-of-a-kind immersive event for Halloween.

Dubbed the “Twisted Toy Factory,” the event raised $5,000 for City Harvest, a charity which provides food for those in need in the community through food recycling while providing a unique place for kids and adults experience Halloween in a new way.

Members of 733 Collective pose in a photo booth designed for the event.

“New York City has always provided for 733 Collective. Not only is it our home, but for all our events we scour the city in search of discarded, forgotten, or otherwise unwanted artifacts. This search for, and repurpose of, perfectly sound discarded items has inspired us to team up with this year’s charity partner,” said Kendra James of 733 Collective and Clickspring Design. “As we travel the city in search of discarded material for our art, City Harvest travels the city with a higher purpose to help feed 1.2 million struggling New Yorkers.”

This expanded purpose would not have been possible without the help of Clickspring Design, which provided not only financial assistance but also volunteered to help bring the event together.

“As native New Yorkers, we see the struggle of those in need around us. We were honored to help sponsor an event that not only supported them but also tied into our core experience in entertainment and events,” said Erik Ulfers, Founder and President of Clickspring Design.

Focused on all things Halloween, the 733 Collective emerged from a series of ‘underground’ Halloween parties that grew more spectacular and surreal with the passing of each year. With members involved in the design and entertainment community, the Collective knew Clickspring Design would be a great fit to create the biggest event yet.

“Each year we talk about how we would love to share our Halloween spirit with a larger community, especially the kids. Through Clickspring we were empowered to expand our reach this year,” said James.

“Not only did the event bring local families together, but it also presented an opportunity to bring the Clickspring family together,” added James. “The Collective was thrilled when the Clickspring staff volunteered their time and energy gathering items for the raffle, reaching out for recyclable toys, working the concession stand and running the games for the kids… all in costume, too!”

The donation to City Harvest (made possible by Clickspring’s sponsorship and ticket sales) will feed 350 New York families for a month.

Alhurra Television Debuts Complete Design Overhaul

MBN’s Alhurra Television unveiled the first piece of a transformational makeover with a pair of new studios in Washington. The sleek design mixes modern technology with a refreshed newsroom while creating a unique palette for the network’s daily programming. Stay tuned for more of this one-of-a-kind project.

sports broadcast set design

‘Around the Horn’ Brings Latest in Broadcast Technology to ESPN

Augmented reality has taken ESPN’s ‘Around the Horn’ to the next level as part of a program upgrade. With graphics by Girraphic Park and technology from our pals at Vizrt, our design allows for unique interactions of all kinds between panelists in the studio, which is also shared with ‘First Take.’ Make sure to also check out the snazzy new scoring podium for Tony Reali!

Election Night, Designed by Clickspring

If you missed ‘Election Night in America’ 2018, you missed a lot of Clickspring Design work! Our team had the pleasure of helping NBC News, MSNBC and CNN cover the big event. From redecorating Studio 1A at NBC to transforming the Washington bureau of CNN into the Election Center, we were able to capture the patriotic spirit of election night in many unique ways.

NowThis Morning

NowThis Launches Morning Show on Facebook Watch

The popular social media video creator NowThis has launched a full morning show aimed at a younger generation. We had the pleasure of designing their unique SoHo studio with some mid-century charm, in only a few weeks! Rich, slatted-wood walls are mixed with charcoal pendant lamps while plants add a bit of life.

ESPN Premieres ‘First Take’ in New Manhattan Facilities

It’s debut week! ESPN rolled out their new, architecturally inspired studio for ‘First Take’ that features views over the East River to the Brooklyn Bridge. Thanks to our team at Mystic Scenic Studios for another great collaboration. We’re looking forward to watching Stephen A. Smith, Max Kellerman, and Molly Qerim Rose hash it out weekdays at 10am EST!

Want to know more about the process and inspiration behind this flexible, technology-packed broadcast design? Check out the write up on NewscastStudio! Stay tuned for a full project image gallery coming soon!

On Air: Chris Ferguson & John Tolander

“On Air” is an internally produced series of staff interviews that showcase the talent and personalities of the people who keep Clickspring ticking. Our second installment features a conversation between designer Chris Ferguson and intern John Tolander. Chris joined Clickspring in 2014, is a licensed architect in the State of Texas, and a graduate of The University of Texas at Austin School of Architecture. John is currently enrolled in the School of Architecture at The University of Texas at Austin and will graduate with his Bachelor of Architecture in 2020.

The following banter took place outside our office in Austin near a cliche Airstream food truck selling $12 tacos.

John Tolander, B.Arch ’20, The University of Texas at Austin School of Architecture

Chris Ferguson: (pressing record) Okay, so John, now that you’ve embarrassed me by helping me find the voice memo app on my own phone, I feel like I can now rely on you for all my tech advice. And as someone who used to be the millennial in the office occupying that coveted iPhone tech support role, I have to ask: do I make you feel young?

John Tolander: Do you make me feel young?

CF: Do I make you feel young.

JT: Nah, Chris, you don’t make me feel young. You actually make me feel kind of old. I look at you and think, wow, it’s only a few years until I’m doing what you’re doing, getting licensed and all that.

CF: I like that answer. I’m normal and you’re just aging up to my level.

JT: Yeah, I’m going with that.

A $12 taco looking smug and delicious with its hand pressed, artisanal flour tortilla and minced cilantro garnish.

CF: Great. So let’s talk about something more fun than our own mortality. You’re about to spend a semester in Europe on the same study abroad program I did back in 2011. On a scale of 1-10, how stoked are you? And is there anything in particular you’re super excited to see?

JT: On a scale of 1-10 I’m definitely an 11.

CF: Nice.

JT: And I’m really excited to see the Alhambra in Spain. I hope when we’re there it’s still early enough in the semester that it’s hot and you can really feel the benefit of those micro-climates that the building creates so we get to really experience it how it was supposed to be experienced.

CF: I also want to ask you about Clickspring, since we’re both being paid to talk to each other for this blog. In all seriousness, we’re a different kind of company than a typical architecture firm, but you seemed interested in the work we do right out of the gate. Why’s that?

Chris Ferguson, B.Arch ’13, and his cat, Beezy.

JT: You guys did stand out to me. Something I find fascinating is the integration of technology within projects, and also the design process in general. That’s something I consider to be very important to the profession as we move into the future, and not just in broadcast environments where technology is super prevalent right now, but also in thinking about applications in the home, in restaurants, and in retail. Starting my professional experience at a place that’s an industry leader in that kind of integration just seemed like a great opportunity.

CF: Yeah, and I doubt any of your peers will come back from this summer with an ESPN project in their portfolio, so that’s pretty cool, yeah?

JT: That’s true.

[at this point in the interview John and Chris observe an adorable dog for several minutes and attempt a few humorous tangents, none of which were particularly funny or informative]

CF: So last question, and I think this is how we should end every interview in this series. You’re familiar with “Clickspring Orange” right?

 JT: (rattling off the RGB color values) 255, 100, 5.

The Clickspring Austin office is surrounded by approximately 17 retrofitted Airstream food trailers offering various hipster fare.

CF: Damn! I’m deeply impressed. It’s been years and Steve still doesn’t have it memorized. You’ve already got it down.

JT: I am gifted.

CF: So what does that particular shade of orange mean to you? And try to flatter the company as much as you can with your answer.

JT: (after a thoughtful pause) So imagine stepping outside into the Texas heat and feeling the warm glow of the sunlight on your face. For the first five seconds, that’s “Clickspring Orange”. But then also combine that feeling with the taste of licking a Creamsicle off your hand as it melts. It’s this sticky, sweet feeling of summer energy.

CF: Wow. That was…a lot. I thought you were going to mention Donald Trump.

JT: Oh, no, he’s more of a 275, 103, 7 kind of orange.

CF: (laughing) That’s really fair.

JT: So I have a question for you.

CF: Shoot.

JT: Shouldn’t we be working?

CF: Yeah, we really should be working.

(Scene)